Having the latest the editing equipment
means nothing without the right storytellers and
image-makers working the gear. Studio B
teams up with some of the most talented
non-linear video editors and designers
available. Because we primarily hire our video
editors on a free-lance basis we can choose from
a large pool of editors and select the right one
for the job -- and keep it within your budget.
For example, some of our video editors
specialize in long-format documentaries and are
great storytellers. Others are adept in cutting
high-paced, very stylized television and
corporate videos with beautiful after-effects
compositing. And yet other editors cut
television spots and are good at working with ad
agency clients and telling a story in 30
seconds.
Whatever your video editing needs, we can
pair the right editor for the job. Please
see the clips above for some samples of their
video editing work.
John
Douglas White has been an Avid editor
for over 12 years and also a master of Final Cut
Pro. John's work and credits speaks for itself.
His national advertising spots include
Nike Super Bowl, Subaru, Wal-Mart, and Kodak.
John's Broadcast work includes NBC Olympics
Sydney, NBC Olympics Salt Lake, NBC Gravity
Games, FoxSports - "Beyond the Glory", Discovery
Channel - "Travelers", ESPN - "Black Star
Rising", PBS - "Seven Sisters: A Kentucky
Portrait", HBO - Traces of the Trade. John's
corporate work includes most of the major
players in hi tech including Netscape, AMD,
Microsoft, Apple, Sun MicroSystems, Oracle,
Cisco, Qwest, Hewlett-Packard, and ReplayTV.
Eli
Olson
is a free-lance Avid editor who
brings a strong visual sense and unique
storytelling ability to every project. Her
credits include broadcast work for HBO, a music
video for Tony Kaye Films, London, commercial
work for Leo Burnett, Chicago and an independent
film for HBO/Chaiken Films among others. Eli's
corporate clients are numerous and include, The
Gap, Sony, Seagate, hallmark, Sega of America,
Apple, Levi Strauss SGI, and Visa.
Eli is a favorite among corporate
video clients because she is so darn good
natured. Eli intuitively knows how to take
an otherwise ho-hum corporate video, and make it
rock.
In the 1980
Doug
Werby founded, and was the chief
editor of the very sucessful Red Sky Films.
Doug then went onto to start Polmagrante
Post in San Francisco. These days he
is primarily works as a commerial
director. Every now and again, we
are lucky enough to get Doug to work for us as
free-lance editor at Studio B. Doug is,
among other things, a master at telling
a story in thirty seconds Ð his
national commerial clients include
Macys, Cellular One, Polaroid, MGM Grand
and store house furniture.
