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HD Avid Media
Composer Adrenaline System
Studio B Films is a fan of both
FCP and Avid Adrenaline all depending on your application.
We believe that when you need eal-time HD editing the
Adrenaline delivers the most comprehensive support for
multi-format high-definition video finishing. FCP has
come a long way, but if you have the budget Avid is the
rock solid choice for HD real-time editing. As well as
an in-house suite, Studio B is proud to offer two fully
rack-mounted systems set-up To Go. Our Avid and FInal
Cut Pro to go clients include: Pixar, Dreamworks, Phil
Tippet Studios, and most of the promenent SF post houses.
Professional Grade HD, SD and DV editing and finishing
The world's most capable and refined editing experience.
You get it all with Avid Media Composer Adrenaline HD,
plus powerful new features that include 10-bit video capture
and playback, real-time HD and SD multicamera editing,
support for the most popular HD frame rates, and much
more. Legendary collaborative tools make it the ideal
system for both film and HD originated television and
film productions as well as seamless DI (Digital Intermediate)
file-based workflows. The Adrenaline also offers frame-accurate
film matchback and comprehensive cut-lists for feature
film
editing Features Avid's world-renowned user interface,
allowing Media Composer Adrenaline owners to leverage
the talents of tens of thousands of trained editors and
freelancer Balances the power of host-based software with
the power of purpose-built
hardware, enabling real-time software OGL-based effects,
real-time Digital Cut, uncompressed video over FireWire,
mixed resolutions in the same timeline, support for all
Avid Legacy media, and much more
Adrenaline A/V Break-Out
Box
10-bit SMPTE 259M SDI serial digital I/O
Component YPbPr, S-Video, and composite I/O
DV I/O with real-time analog-to-DV and DV-to-analog conversion
Uncompressed PAL and NTSC ITU-R-601 formats
Sync reference input
Serial deck control and 1394 deck control
Audio I/O
48 kHz, 44.1 kHz, and 32 kHz (hardware supports up to
96 kHz)
16 or 24-bit resolution
8 channels ADAT audio I/O or stereo Toslink optical S/PDIF
4 channels AES/EBU digital audio I/O
4 channels RCA analog audio inputs
4 channels XLR analog audio inputs
Separate stereo monitor output
Call for Rates!
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HD
Uncompressed Final Cut Pro System
• Fully Loaded Mac Dual G5
• The choice of Kona
LH or
AJA I/O HD Box
• SDI, Component, Composite and Firewire I/O
• Latest Software Release
• 20" LCD Monitors
• Mackie 1402 Audio Mixer
• 14" Sony Color Critical Monitor
• Choice of Decks: Digital Betacam (extra), BetaSP,
DV Cam
• DVD Burner
• VHS Deck
• 1.25 Terabytes of Hard Drive Space (more available)
Call for rates in-house & to
go.
See Apple's
overview of Final Cut Pro.
DIGITAL BETACAM DVW A500 DECK
$495/Day
Please call for discounts when renting
the A500 with an Avid System.
AVID TO GO
Any of our systems are
available to go!
Our portable on-line editing stations
are beautifully designed with rack-mounted AV patchbays.
The Flypacks systems are fast to set-up and editor friendly.
We also have tech support available should you run into
any problems.
All deliveries are free with any
rental of one month or longer. Delivery charges for rentals
less than one month are $300 round-trip.
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Need
to rent an avid or Final Cut Pro system to edit your project?
Then you've come to the right place. We have (both in-house
and to-go) HD Uncompressed Avid Media Composer Adrenaline stations,
Final Cut Pro HD Systems with Kona 3 and Kona LHe cards all
rack-mounted and ready to deliver to your location. We also
have tech support available should you run into any problems.
Deliveries are free with any rental of one month or longer,
or $300 for less than a month (round-trip)..