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RED ONE Camera Package - $600/day
1 - RED ONE Camera Body
1 - Choice of EFV or LCD monitor
1 - Element Tech. Video Breakout Box
4 - V-Mount Batteries
4 - RED ONE 8 GB CF Cards or 320gb RED drive
1 - Top Handle w/Extension
1 - Arri 15mm or 19mm Base Plate
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RED ONE Production Package- $900/day
1 - All of Package 1 plus:
1 - 18 -50mm RED zoom lens (add $125 for Zeiss Primes)
1 - 17" Panasonic Monitor
1 - O'Connor 1030S HD Tripod |
RED ONE Cinema Package- $1,250/day
1 - All of Packages 1 & 2 plus:
1 - Crosziel Matte Box w/ Rods
1 - Crosziel Follow Focus
5 - Zeiss SuperSpeed T1.3 Lenses
(18, 25, 35, 50, 85)
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RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body - designed for flexibility and functionality.
Weighing in at around 9 lbs, a streamlined packaged designed
specifically to maximize your shooting options, along with a
35mm PL lens mount allows you to take advantage
of the world's
best optics. Modular and upgradeable, the RED ONE™ camera
is a future-proof acquisition system you can build upon. RED
ONE™'s modular design means you can upgrade with us as
we add new features, accessories and improve system specifications.
PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE
Typical high-end HD camcorders have
2.1M pixel sensors and record with 3:1:1 color sub-sampled video
at up to 30fps. We deliver 12M pixels at up to 60fps and record
12 bit native RAW, or 10 bit over-sampled HD your choice. That’s
more than 5 times the amount of information available every
second and a vastly superior recording quality. Don’t
need all that data for your workflow? Dial it back, and keep
all the other advantages of the Mysterium™ Super 35mm
cine sized (24.4 x 13.7mm) sensor. You get the same breathtaking
Depth of Field and selective focus as found in film cameras.
Mysterium™ boasts a greater than 66db Signal to Noise
Ratio thanks to its large 29 sq. micron pixels. And 12,065,000
pixels deliver resolution that can only be called Ultra High
Definition.
RED
ONE IS A MODULAR DESIGN
Shoot lightweight ENG style (body around 9 lbs., in rugged aluminum
alloy) or load it up to shoot a feature film. Initial options
will include RED-CAGE™ for mounting accessories and “growing”
the camera body. Configure for tripod, crane or long lens applications.
Onboard or external high-resolution RED monitors come equipped
with advanced tools for framing, exposure and focus. The RED
ONE™ camera has numerous stainless steel mounting points
on the body to allow hundreds of optional RED and third party
accessories... some that haven’t even been dreamed of
yet.
MSRP of $17,500 for RED ONE™ camera.
Estimated to ship in Early 2007.
Here are some of the tech specs
from the RED site:
Sensor:
12 Megapixel Mysterium™
Physical Size:
24.4mm x 13.7mm (Super35mm)
Active Pixel Array:
4520 (h) x 2540 (v)
Full Pixel Array:
4900 (h) x 2580 (v)
Dynamic Range:
> 66dB
Depth of Field:
Equivalent to 35mm Cine Lenses (S16mm with windowed sensor)
Acquisition Formats:
2540p (4k+)
4K
2K
1080p
1080i
720p
Frame Rates:
Variable
1 – 60 fps 2540p, 4K, 2K,1080p, 720p
1 – 120 fps 2K, 720p (windowed sensor)
50 / 59.94fps 1080i, 720p
RAW output:
High speed serial interface
1 - 60 fps 2540p, 4K
1 - 120 fps 2K (windowed sensor)
Video Outputs:
Single and dual link HD-SDI
2K 4:4:4 RGB
1080p 4:4:4 RGB
1080p 4:2:2
1080i 4:2:2
720p 4:2:2
Digital Media Magazine:
FireWire 800/400, USB-2 and e-SATA interfaces
RED-DRIVE™ hard disk drive (40 – 160GB)
REDFLASH™ flash memory (32 – 128GB)
REDCODE codec:
Variable Bit Rate, Wavelet
RAW
10 bit 4:2:2 1080p / 1080i / 720p
10 bit log 4:4:4 2K
Audio:
4 channel uncompressed, 16 / 24 bit, 48KHz
Monitor:
Flex mounted High Resolution LCD, High Resolution color EVF
(optional)
Weight:
Around 9 lbs (without lens, battery and external viewfinder)
Construction:
Aluminum alloy
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San
Francisco Bay Area