CREW SERVICE

In addition to renting gear, we also provide top-notch videographers and production crew. From TelePrompter operators, to stylists, to locations, we know the SF Bay Area production and studio landscape well and are happy to help your project happen with minimal stress.

VTR's, Decks & Readers
Sony HDCAM HDW-M2000 VTR

This deck plays everything! The Sony HCW-M2000 is the new work horse of the industry. This is the perfect deck to master your projects on.

Panasonic AJ-HD1400 DVCPRO HD

From field recording to nonlinear and in-studio editing, the AJ-HD1400 is an invaluable solution for HD production.

$395 a day
$1,550 a week

Sony DVW-A500 Digibeta

Coefficient recording (component digital), pre-read capability for video and audio, SMPTE 259M serial digital V/A interface, built-in analog video and audio interfaces, optional composite analog input, 4:3 and 16:9 capability.

$495 a day
$1,950 a week

Sony DSR-1500 DVCAM

No matter what editing system you have, you'll be able to easily bring in material from miniDV and DVCAM (and even DVCPRO25 through SDI or Component).

$250 a day
$1,000 a week

Sony UVW-1800 Beta SP VTR
This is the deck for your legacy Beta SP tapes and projects. With built-in time code generator/reader, time base corrector and high-speed picture search, it provides frame accurate editing and consistent picture quality.
$200 a day
$800 a week

Panasonic AJ-PCD20P P2 Card reader

The AJ-PCD20 P2 solid-state memory drive answers the need of today's video professional for faster, easier file transfers on the desktop or in the field. This flexible, time-saving internal/external drive allows users to mount five 8GB P2 cards simultaneously for instant access and continuous editing of all recorded content in sequence.

Sony XDCAM SxS Express Card Reader

The Sony SBAC-US10 is a SxS card reader/writer compatible with both PC and Mac computers. It connects to your computer via a USB 2.0 interface.

Aja KiPro

Everyone from broadcasters to indie filmmakers can probably agree on one thing: the possible choices for image acquisition are daunting. Different cameras, different formats, different recording media and different compression schemes. Wouldn't it be nice if there was a way to simplify acquisition so that virtually any camera, digital or analog, could record the same format and resolution? Enter the AJA Ki Pro.

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