CREW SERVICE
In addition to renting gear, we also provide top-notch videographers and production crew. From TelePrompter operators, to stylists, to locations, we know the SF Bay Area production and studio landscape well and are happy to help your project happen with minimal stress.
|
| VTR's, Decks & Readers |
Sony HDCAM HDW-M2000 VTR
This deck plays everything! The Sony HCW-M2000 is the new work horse of the industry. This is the perfect deck to master your projects on.
Panasonic AJ-HD1400 DVCPRO HD
From field recording to nonlinear and in-studio editing, the AJ-HD1400 is an invaluable solution for HD production.
Sony DVW-A500 Digibeta
Coefficient recording (component digital), pre-read capability for video and audio, SMPTE 259M serial digital V/A interface, built-in analog video and audio interfaces, optional composite analog input, 4:3 and 16:9 capability.
Sony DSR-1500 DVCAM
No matter what editing system you have, you'll be able to easily bring in material from miniDV and DVCAM (and even DVCPRO25 through SDI or Component).
Sony UVW-1800 Beta SP VTR
This is the deck for your legacy Beta SP tapes and projects. With built-in time code generator/reader, time base corrector and high-speed picture search, it provides frame accurate editing and consistent picture quality.
Panasonic AJ-PCD20P P2 Card reader
The AJ-PCD20 P2 solid-state memory drive answers the need of today's video professional for faster, easier file transfers on the desktop or in the field. This flexible, time-saving internal/external drive allows users to mount five 8GB P2 cards simultaneously for instant access and continuous editing of all recorded content in sequence.
Sony XDCAM SxS Express Card Reader
The Sony SBAC-US10 is a SxS card reader/writer compatible with both PC and Mac computers. It connects to your computer via a USB 2.0 interface.
Aja KiPro
Everyone from broadcasters to indie filmmakers can probably agree on one thing: the possible choices for image acquisition are daunting. Different cameras, different formats, different recording media and different compression schemes. Wouldn't it be nice if there was a way to simplify acquisition so that virtually any camera, digital or analog, could record the same format and resolution? Enter the AJA Ki Pro.
|
|